The End of the Poem: Studies in Poetics
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The road into the unknown where a great treasure lies at the end. How many have traveled that road, whether in the waking world or in the realm of the heart? Were there pitfalls and wayside attractions? The realm of mythopoetics and speculative fiction, popular dramas, and the ancient art of the story-song.
Whether we explore the realm of story, or use the idea of a quest or journey as a metaphor, or find ourselves walking into the unknown in the waking world, questing after an idea or an object in a laboratory or in the natural world, the image of seeking and finding -- or, not finding -- is a powerful one. In the Spring issue, we will explore the idea of questing and journeys into the unknown. A study on Modernism. Auden's "New Year Letter" and Catastrophe.
Addresses Gertrude Stein, feminist poetics, feminist autobiography, modernist poetics. A comparison between The passionate Shepherd to his love and The Nymph reply to the shepherd. Tragedy is a superior form of art than epic. From the paper readers can get the idea that how Aristotle proves in his book Poetics that Tragedy is superior than Epic. An artificial tongue with a natural curl. On 20 June , A. What follows is a lightly redacted transcript endnotes authorially supplied , What follows is a lightly redacted transcript endnotes authorially supplied , established from the audio recording on the Das Unbehagen website by J.
Investigating Rigvedic word order in metrically neutral contexts. Swappable bigrams provide a laboratory in which non-metrical effects on word order can be investigated in poetic texts. This talk presents some preliminary results from the Rigveda, identifying effects of syntax and phonology hiatus This talk presents some preliminary results from the Rigveda, identifying effects of syntax and phonology hiatus avoidance and end weight on word order. Kevin M Ryan. Rispondere solo a Beatrice. Using Eliot's own thought-journey as an epistemic anchor, I flesh out what and how an incarnational poetic might look like and be used, especially as it applies to The Cocktail Party.
At the end of the module you will be able to compose and perform spoken word poems with increased confidence and reflect critically on the performance of poems as an element of the wider context of international contemporary performance poetry cultures. Please note you will be expected to perform your poetry in front of the group during workshop and presentation sessions.
If this prospect fills you with dread this may not be the module for you. Alternatively it might be just the baptism of fire you need to kickstart your performance poetry career. Alongside the writing of performance poems composition continues through actual performance. The assessment requirements are:.
Additionally each student must select one poem of minutes from their portfolio to perform in front of the group. There will be formative assessments each week. These will not affect your final marks, but will help you respond to the summative assessments. Poems written in response to the weekly writing exercises can be included in your portfolio. These presentations will help you understand how to approach the 2, word report which is part of the formal assessment criteria. The following is a breakdown of material covered in each seminar.
Please note that the order of the seminars and some of the content may change. Sample suggested reading is detailed below. Introduction to performance poetry - Exploring the role of contemporary performance poetry and establishing the practical elements of performance poetry analysis. Berlin: Freie Universitaet; , — Poetic text processing. Poetic text processing and its empirical investigation. Poetics 16 , 75—91 Occipital and orbitofrontal hemodynamics during naturally paced reading. Neuroimage 94 , — Interactive activation and competition models and semantic context: from behavioral to brain data.
Remembering words in context as predicted by an associative read-out model. Indiana: Univ. Fiction feelings in Harry Potter: Haemodynamic response in the mid-cingulate cortex correlates with immersive reading experience. Neuroreport 25 , — The magical activation of left amygdala when reading harry potter: an FMRI study on how descriptions of supra-natural events entertain and enchant. PLoS One 10 :e The emotion potential of words and passages in reading harry potter: an fMRI study.
Can Harry Potter still put a spell on us in a second language? An fMRI study on reading emotion-laden literature in late bilinguals. Cortex 63 , — Welcome to the real world: validating fixation-related brain potentials for ecologically valid settings. Frankfurt: Campus; , — Cambridge: Cambridge University Press;. Models of visual word recognition: sampling the state of the art. Berlin: Rombach;. Mahwah: Lawrence Erlbaum Associates Inc. CC Jacobsen T. Bridging the arts and sciences: a framework for the psychology of aesthetics. Leonardo 39 , — The primacy of beauty in judging the aesthetics of objects.
Brain correlates of aesthetic judgment of beauty. Neuroimage 29 , — Frankfurt: Suhrkamp. Les Chats de Charles Baudelaire.
Aristotle: Poetics | Internet Encyclopedia of Philosophy
The Principles of Psychology. New York: Dover. Emotional valence and the free-energy principle. PLoS Comput. Mental Models.
Bilateral brain processes for comprehending natural language. A theory of reading: from eye fixation to comprehension. Physiological aspects of flow experiences: skills-demand-compatibility effects on heart rate variability and salivary cortisol. Learning from text, levels of comprehension, or: why anyone would read a story anyway. Poetics 9 , 87—98 The use of knowledge in discourse processing: a construction-integration model. Bern: Huber; , 39— Metaphor comprehension: a computational theory.
Musing about beauty. Toward a model of text comprehension and production. Neural contributions to flow experience during video game playing. Emotion and cognition in literary understanding. Poetics 23 , — The quartet theory of human emotions: an integrative and neurofunctional model. Life Rev. Towards a neural basis of music perception. Neuroscience and the study of literature. Some thoughts on the possibility of transferring knowledge.
Theory 2 , — Does agrammatic speech constitute a regression to child language? A three-way comparison between agrammatic, child and normal ellipsis. Contrastive ellipsis: mapping between syntax and information structure. Lingua , — Psychology of the Arts. Durham: Duke University Press.
The pleasure of reading. Incidental effects of emotional valence in single word processing: an fMRI study. Neuroimage 28 , — Pupillary responses in art appreciation: effects of aesthetic emotions. Arts 3 , — The neural correlates of subjective pleasantness. Neuroimage 61 , — The experiencing questionnaire: locating exceptional reading moments.
Study Lit. Locating self-modifying feelings within literary reading. Discourse Processes 38 , — One lesson learned: frame language processing— literal and figurative—as a human brain function. Metaphor Symb. Thirty years and counting: finding meaning in the N component of the event-related brain potential ERP. Familiarity differentially affects right hemisphere contributions to processing metaphors and literals.
Paderborn: , — Handbuch der Literarischen Rhetorik. Eine Grundlegung der Literaturwissenschaft, 3. Stuttgart: Aufl. Art as a metaphor of the mind: a neo-Jamesian aesthetics embracing phenomenology, neuroscience and evolution. Phenomenology Cogn. Sweet silent thought: alliteration and resonance in poetry comprehension. A model of aesthetic appreciation and aesthetic judgments. Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference.
PLoS One , in press. Freiburg: Verlag Herder. Symbol interdependency in symbolic and embodied cognition. Berlin: Merlin; , — Immersing in the stillness of an early morning: testing the mood empathy hypothesis of poetry reception. Arts 8 , — Arte e Cervello. Bologna: Zanichelli. Representation, rightness and the fringe. Reading linear texts on paper vs.
Glossary of Poetic Terms
The neural bases of social cognition and story comprehension. The function of fiction is the abstraction and simulation of social experience. Emotion and narrative fiction: interactive influences before, during and after reading. The evolution of English poetry. Poetics 7 , — New York: Praeger; , 7— Response: psychological foundations of literary theory.
Theory 1 , — Richards revisited: do people agree in their interpretations of literature? An interactive activation model of context effects in letter perception: part 1.
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An account of basic findings. Figures of rhetoric in advertising language. Sounds funny?
Humor effects of phonological and prosodic figures of speech. Arts 8 , 71—76 About the secret sensorium of modern poetry]. Paderborn, Germany: Fink. Affect and narrative: a model of response to stories. Poetics 17 , — Beyond the schema given: affective comprehension of literary narratives. Poetics 19 , — Sounds of contrast: an empirical approach to phonemic iconicity. Poetics 29 , 55—70 Foregrounding, defamiliarization and affect: response to literary stories.
Poetics 22 , — The form of reading: empirical studies of literariness. Poetics 87 , 75— Making meaning brings pleasure: the influence of titles on aesthetic experiences. Emotion 1 , — Russian Literature XXX , 85— Embodying emotion. Science , — Simulating fiction: individual differences in literature comprehension revealed with fMRI. Measuring the customer experience in online environments: a structural modeling approach. Is emotional contagion special? An fMRI study on neural systems for affective and cognitive empathy. Neuroimage 43 , — A taxonomy of the emotions of literary response and a theory of identification in fictional narrative.
Poetics 23 , 53—74 Towards a cognitive theory of emotions. The cognitive structure of emotions. Metaphor: theoretical and empirical research. The power of the word may reside in the power of affect. Neural correlates of individual ratings of emotional salience: a trial-related fMRI study. Neuroimage 21 , — Emotion processing in words: a test of the neural re-use hypothesis using surface and intracranial EEG. MIP: a method for identifying metaphorically used words in discourse. Morphology of the Folktale. Translated by Scott L.
Austin: University of Texas Press. The time course of metaphor comprehension: an event-related potential study. The neural basis of insight problem solving: an event-related potential study. The role of global top-down factors in local eye-movement control in reading. The science of art. Where in the brain is nonliteral language? A coordinate-based meta-analysis of functional magnetic resonance imaging studies. Eye movements in reading and information processing: 20 years of research. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury.
Harry Potter and the Deathly Hallows. Narrative asVirtual Reality. Immersion and Interactivity in Literature and Electronic Media. The text as a manual. Some reflections on the concept of language from a neuroaesthetic perspective. Theory 3 , — The human amygdala: an evolved system for relevance detection. Mind, Brain and Narrative.
Cambridge: Cambridge University Press. PLoS One 8 :e Emotion processing in different media types: realism, complexity and immersion. Low-complexity art. Arts Sci. Empirische literaturwissenschaft as perspective. Poetics 8 , — The empirical science of literature ESL: a new paradigm. Poetics 12 , 19—34 Beyond laterality: a critical assessment of research on the neural basis of metaphor. Neural correlates of metaphor processing: the roles of figurativeness, familiarity and difficulty.
Phonological iconicity. Methods 46 , — Storytelling from pictures using the edmonton narrative norms instrument. Speech Lang. Sprache und Emotion Language and Emotion. Cognition and the Visual Arts. The psychology of art and the evolution of the conscious brain. Human brain activity time-locked to narrative event boundaries. Universals of narrative and their cognitivist fortunes I.
Poetics Today 24 , — Cognitive Poetics: An Introduction. London: Routledge. Theory 1 , — Memory decreases for prose, but not for poetry. The Poetics of Prose Trans. Richard Howard. Narrative progression in the short story: first steps in a corpus stylistic approach.