The Certain Sound of the Trumpet: Crafting a Sermon of Authority

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Powerful Sermon Compilation - The Trumpet Solo by James A. Stewart

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Proctor's book was very helpful. While I feel that my sermonic exegetical work is fine, I did not have a homelitical model that I found useful. By Cleophus J. This book is a clarion call for African American preachers to think more deeply about the aims and ends of their preaching—namely to stop putting so much emphasis on celebratory endings to our sermons and focus more on the substantive content in our sermons. Our so-called celebratory preaching, designed to excite the congregation into action through a highly emotional closing of the sermon, has had the opposite effect.

Rather than inducing action, it has lulled generations of black congregants to sleep. Otis Moss III. Can preaching recover a Blues sensibility and dare speak with authority in the midst of tragedy? America is living stormy Monday, but the pulpit is preaching happy Sunday. The world is experiencing the Blues, and pulpiteers are dispensing excessive doses of non-prescribed prosaic sermons with severe ecclesiastical and theological side effects. By Kirk Byron Jones. What if preachers were as contagiously joyful in their preaching as Louis Armstrong was in his playing and singing?

As rich in their sermonic renderings as Sarah Vaughan was in her musical vocals?

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The Certain Sound of The Trumpet: Crafting a Sermon of Authority – [Review]

As honest about heartache as Billie Holiday was every time she sang about the blues of life? As alluringly clear as the angelic voice of Ella Fitzgerald? As tenaciously uninhibited in the action of creating as Duke Ellington? Drawing on a deep love of jazz and enlivening the discussion with insights drawn from the realities of African American preaching, Jones introduces readers to rich and rewarding possibilities for constructing and delivering the sermon.

By Frank A.

The Certain Sound Of The Trumpet: Crafting A Sermon Of Authority

Celebration is an important component of preaching. Fifteen years, after its release, They Like to Never Quit Praising God continues to illustrate the steps that are essential to understand and experience the Gospel through celebration and praise. Through the unique lens of African American preaching, Thomas explores the theology, dynamics and guidelines for celebrative preaching. By Kenyatta R. City squares became a church, the body politic a congregation, and sermons a jeremiad of social change—or so the story goes.


By Eugene L. Now in reissue with a new foreword by Fred B. Craddock and afterword by the author, Eugene L. Lowry, The Homiletical Plot , Expanded Edition follows in the same solid tradition of its predecessor. Upon its release, The Homiletical Plot quickly became a pivotal work on the art of preaching. Instead of comments on a biblical passage, Lowry suggested that the sermon follow a narrative form that moves from beginning to end, as with the plot of a story.

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This expanded edition continues to be an excellent teaching resource and learning tool for all preachers from introductory students to seasoned clergy. Promoting the idea of sermon as narrative, Eugene Lowry's first book, The Homiletical Plot , became one of the most influential preaching books of the latter part of the 20th century.

While the sermon as narrative has become conventional preaching wisdom, it is largely misunderstood. Sermons are, by definition, narratives and as such, they have plots. At the same time, the sermon is not a story. While similar in many ways, narratives and stories are distinct.