Better Location Shooting: Techniques for Video Production

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Instead, I opt for bringing my cameras in a soft, backpack style, carry-on camera bag. For checked gear, I use two large REI roll-bags. These bags are big enough for gear such as my tripod, and they look inconspicuous. I further secure these bags with TSA-approved bag locks.

When traveling in urban areas, I either pay extra for a taxi or, when riding in a tuk-tuk, I will keep my bags to the center of the vehicle and remain vigilant. Which brings up the number one safety piece of advice: remain aware of your surroundings at all times. Lastly, while booking lodging, I always consider security for my gear. In remote locations, secure accommodations might be harder to come by. In that case, I try to avoid leaving my gear unaccompanied for too long, or advertising that I have it with me.

In addition to the more obvious gear needed to shoot, I never leave these essential items behind:. Before you leave, make sure your vaccines are up to date. See a travel nurse about your shots and about any other medical precautions you will need depending on the part of the world you are filming in. This list of tips is by no means exhaustive, but it ought to get you started thinking about how to prep for your own expedition to the ends of the Earth.

I invite anyone with additional tips and tricks for remote filming to leave them in the comments below. What do you consider necessary to bring with you into the wilderness? Follow 'Current Sea' on Kickstarter or Facebook. Good article! I'd like to add one more tip: A good windscreen or deadcat.

1. Tell a story

When you shoot outdoors this is important to block the wind. Wind is always there and the recorded sound can be nasty to clean. However, even a good deadcat is not enough, sometimes. A blimp is going to work well, but it is too large for this kind of locations. Does anybody know a smaller good solution? John, great point.

I overlooked that. I did upgrade my furry to a more robust Rycote windscreen after my first trip down there. What are some of the best companies to go through for production insurance and or travel insurance if they can't be purchased from the same company? I have noticed that many people in our industry recommend insurance but to those starting out your car insurance company can help with business insurance but and a few other items that relate to productions but, I have yet to come across an article about any insurance companies that are specific to the video side of the industry, as opposed to the photography side finding an insurance company that deals with photographers can be found in just about every magazine.

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Any help is greatly appreciated! Jeremy, good question. Most production insurance goes through brokers, and there are many to work with. I think it's best to shop around.

There is a basic level that most policies cover which will be enough to hire equipment from rental houses. Skip to main content. No Film School. June 8, After filming on a remote Cambodian island, I learned what you need to know to prepare for remote shoots. A cham trawler prepares to fish in the Gulf of Thailand.

Credit: Christopher Smith 2. Insure yourself and your production There is a certain amount of risk that comes with filming in any far off place. You may unsubscribe from these communications at any time. For more information, check out our privacy policy. Written by Sophia Bernazzani.


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Video content can be a valuable asset in your inbound marketing content mix. In fact, by the end of this year, video content is expected to represent nearly three-quarters of all internet traffic. Your video is being judged on its content, presentation, production quality, style, and the valuable information it provides. What does this tell us? Your content must be truly remarkable to maintain your audience's attention.

Below are our tips to instantly improve the production quality of your video marketing content to give it a nice little boost. Be well-prepared and organized for your video shoots. Know exactly what you want before the day you film by following the steps below. The concept for your video project should be original and creative. Instead, conduct persona and keyword research, find out which types of video content are popular and successful in your industry, and double-check to make sure another brand hasn't covered the exact same angle already.

Write a script, draw out a storyboard, and create a shot list before you start filming. Plan your b-roll shots so you have extra footage when it comes time for editing more on that below. If you think writing a video script is the same as writing a blog post -- think again. Here are Column Five's best tips. Set high standards when casting actors for your projects. Pick someone who can deliver dialogue naturally, who can memorize lines, and who isn't stiff in front of the camera. If possible, plan time for a few run-throughs to work out any mispronunciations or giggles.

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20 Pre-Production Tips to Create Successful Video Content

Your audience is paying close attention to every detail of your video. Shoot your video projects in locations other than your office -- in front of textured and interesting backdrops, but ones that also aren't too busy. You can always touch up your footage when you edit afterward, but remember that editing takes time. If you can make everything look as close to perfect as possible during filming, you'll save yourself a lot of valuable time in post-production. Here's how to do it:. Use lapel or lavaliere microphones -- both of which are hands-free -- when shooting sit-down interviews, or use microphone and boom setups for bigger shots.

If you're filming a video with a smartphone, you can purchase microphones that fit into the phone's headphone input to quickly and easily improve sound quality.


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We recommend a three-point lighting setup to illuminate video subjects from a variety of angles. However, even a good deadcat is not enough, sometimes. A blimp is going to work well, but it is too large for this kind of locations. Does anybody know a smaller good solution? John, great point. I overlooked that. I did upgrade my furry to a more robust Rycote windscreen after my first trip down there.

What are some of the best companies to go through for production insurance and or travel insurance if they can't be purchased from the same company?

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I have noticed that many people in our industry recommend insurance but to those starting out your car insurance company can help with business insurance but and a few other items that relate to productions but, I have yet to come across an article about any insurance companies that are specific to the video side of the industry, as opposed to the photography side finding an insurance company that deals with photographers can be found in just about every magazine.

Any help is greatly appreciated! Jeremy, good question. Most production insurance goes through brokers, and there are many to work with. I think it's best to shop around. There is a basic level that most policies cover which will be enough to hire equipment from rental houses. Skip to main content.

No Film School. June 8, After filming on a remote Cambodian island, I learned what you need to know to prepare for remote shoots. A cham trawler prepares to fish in the Gulf of Thailand. Credit: Christopher Smith 2. Insure yourself and your production There is a certain amount of risk that comes with filming in any far off place. Know your place When you arrive on location, I recommend gathering information and doing a quick scout or walkthrough.

8 Cinematic Camera Moves For Video

Christopher Smith during the 'Current Sea' production in Cambodia. Credit: Matt Blomberg 4.

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Bring the right tools You often hear the advice that one should use the right tool or camera for the job. In addition to my camera which was a Canon C , my basic kit for Cambodia contained: Plenty of memory cards Medium sized tripod with fluid head Zoom lenses Canon f Canon 7D for stills and video backup GoPro with accessories Laptop 2 1.

5 tips for shooting better video

The small Island where much of 'Current Sea' was shot. Credit: Speak Thunder Films 5. Prepare to stay charged and powered Energy and electricity is crucial to our work, and a lot of logistics revolve around making sure you have enough charged batteries to shoot everything that you need. Lastly, make sure you have the right international adapters for your location. Back up everything mission critical Filming in remote locations is expensive, so obviously you want to do whatever you can to get the shot and prevent anything from going wrong.

Power adapters Cham fisherman in the Gulf of Thailand. Credit: Matt Blomberg 7. Take advantage of natural light As a cinematographer, I want to make my images as beautiful as possible. Bring the essentials beyond gear In addition to the more obvious gear needed to shoot, I never leave these essential items behind: Gaff tape Ziplock bags for protecting small gear from water Garabge bags for protecting large gear and clothes from water Small tools for repairs Headphones Travel pillow Travel towel Travel guides and maps Christopher Smith filming on location for 'Current Sea'.

Credit: Matt Blomberg Leave this field blank. Reply Share Share this answer:. John Moreno Christopher Smith Director.